Stephanie A Kelton is an American heterodox economist and academic, and a leading proponent of Modern Monetary Theory. She is a professor at Stony Brook University and a Senior Fellow at the Schwartz Center for Economic Policy Analysis at the New School for Social Research.

Stephanie A Kelton is an American heterodox economist and academic, and a leading proponent of Modern Monetary Theory. She is a professor at Stony Brook University and a Senior Fellow at the Schwartz Center for Economic Policy Analysis at the New School for Social Research.

Stephanie A Kelton is an American heterodox economist and academic, and a leading proponent of Modern Monetary Theory. She is a professor at Stony Brook University and a Senior Fellow at the Schwartz Center for Economic Policy Analysis at the New School for Social Research.

HEYDAY brings to life one of the most extraordinary periods in modern history. Over the course of the 1850s, the world was reshaped by technology, trade, mass migration and war. The global economy expanded fivefold, millions of families emigrated to the ends of the earth to carve out new lives, technology revolutionised communications, while steamships and railways cut across v...(展开全部)

To modern sensibilities, nineteenth-century zoos often seem to be unnatural places where animals led miserable lives in cramped, wrought-iron cages. Today zoo animals, in at least the better zoos, wander in open spaces that resemble natural habitats and are enclosed, not by bars, but by moats, cliffs, and other landscape features. In Savages and Beasts, Nigel Rothfels traces t...(展开全部)

To modern sensibilities, nineteenth-century zoos often seem to be unnatural places where animals led miserable lives in cramped, wrought-iron cages. Today zoo animals, in at least the better zoos, wander in open spaces that resemble natural habitats and are enclosed, not by bars, but by moats, cliffs, and other landscape features. In Savages and Beasts, Nigel Rothfels traces th...(展开全部)

A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly suppo...(展开全部)

A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly suppo...(展开全部)

This book offers an integrated critical account of the career of myth in modernity. It takes as its starting point some crucial moments in the eighteenth-century reinvention of the concept and then follows the major branches of theorising as they appear in the work of theologians, philosophers, literary artists, political thinkers, folklorists, anthropologists, psychologists, a...(展开全部)

Discusses the dichotomy of artistic thought that led to the evolution of modern painting, as perceived by the new art's Salon des Refuses and the Paris art world of 1863